“Dear,” Why are human traffickers so cruel?

Let’s talk about “Dear.” I will only talk about four impressive shots.

First, in the first five minutes, in Shenzhen, where cars were crowded, children dressed in bright yellow clothes were gently picked up by human traffickers. There was no resistance, no sound was heard, and it passed suddenly from a distance. I am very grateful to Chen Kexin for his kindness at that time. He only dramatized and expressed in one fell swoop the helplessness of children in the face of human trafficking.

Second, right after he found the child, Huang Bo was at the police station, crying until he couldn't get up and became hysterical. Although the two strange women behind him had already collapsed with laughter and said: "It's so ugly to cry." » Well, I felt that at that moment, no matter how much you cried, you should do it.

Third, apAfter picking up the child, Huang Bo went out to throw out the trash, stopped, turned around, opened the door, put the sleeping child on his shoulders, and then went out. This series of photos reminds me of Ms. Zhang in my memory.

Fourth, on the streets of Shenzhen, Zhao Wei rushed into the crowd of parents looking for her son, hugged her former son, and was beaten and scolded by the angry parents. These parents consider finding their children and fighting kidnapping to be their life, so they are naturally familiar with the case process. They must know that Zhao Wei is not the trafficker herself, but compared to the hatred and complaints they have suppressed for many years, Zhao Wei is not the trafficker herself. Wei is already very close to the attacker. For these parents who "encourage" most of the time in the film, in this situation, losing your mind is the most important thing.s rational to do.

The search for a child is a dead end journey. These four sets of shots are very relevant to the topic of child tracing that I was exposed to at the time. It can be seen that the "Dear" team has really done enough homework. ? The reason why I mentioned "Jinling Thirteen Hairpins" and "1942" at the beginning of the article is that the massacre, famine and kidnapping, in my opinion, are absolutely sad. And as in the two previous novels, what is discussed in “Cher” also stops at grief itself. ? Of course, in the strict sense, it may be more important, in practice, to talk seriously about the fight against trafficking than to restore massacres and famines. After this film, adults should pay more attention to the situation of children, and more people will participate in the fight against trafficking and pay attention to the "baby coming home".

But I thinkeflecting reality is more the job of news programs and investigative reporting, and high-profile jokes are not suitable for this topic. If the fundamental motivations of the traffickers are not unearthed from the artist's perspective, but rather they are attempting to exaggerate a story, no matter how well-acted, it is not worth discussing.

I can feel Chen Kexin's anger, but this anger has turned into work, just like the group of parents looking for their children in **, their mourning fists can finally only touch Zhao Wei.

I had the impression of seeing myself when I posed for this disastrous photo, and I was very moved, because after this interview, I understood a truth: repeating sadness does not of meaning.